Wednesday, October 31, 2012

Free Halloween Story - One Last House





ONE LAST HOUSE


Halloween morning:


‘Please don’t ask me again. You’re the child, I’m the parent and that’s that. What I say goes, there’s no discussion. Now drop the subject or I won’t even allow you to go trick or treating.’ Elaine’s mother, Glenda, emphasised her statement by tapping her foot and shaking a finger at her daughter. Elaine’s face reddened and her eyes began to glisten with the promise of tears. ‘And if you start crying again it will only confirm that you are still too young to understand and perhaps it would be best if I did keep you in tonight.’ With a superhuman effort the little girl bit back on the sob that threatened to escape from her tight throat, nodded and went up to her room.
     ‘Glenda, you can be hard on times,’ Elaine’s father, Jim said looking up from his paper, his breakfast finished.
     ‘Listen, she’s too young. Once she’s of an age to understand the dangers out there then I’ll let her do what she wants. It’s different from when I was a child. Things were safer then, I could go out dressed up and knock on strangers’ doors, but times change. It’s not safe.’
     ‘You don’t have much faith in our daughter,’ Jim said folding the paper carefully.
     ‘It’s not a matter of faith. It’s just Prudence.’
Jim closed his eyes for a moment. ‘Of course, sorry.’
     ‘That’s ok; you know how I get this time of year. I’ll never forget.’
     ‘But you’ve said that was a long time ago dear.’ Jim rose and gave his wife a hug.
     ‘Yes, that’s just what I mean. People are more aware nowadays.
     ‘Ok, perhaps I’ll have a quiet word with her too,’ he said.
Glenda nodded then gave her husband a peck on the cheek. ‘Thanks you know she listens to you more than me. Daddy’s little girl.’
Jim smiled, looked at his watch and said, ‘I’ve just got time before going into work.’ Then he shrugged on his jacket and went up to his daughter’s bedroom.


Halloween Evening:


     ‘Are you sure you’re going to be warm enough?’ Glenda asked her daughter as she fussed with the little blue jacket the child was wearing.
Elaine rolled her eyes and sighed. ‘Yes, Mum. Will you stop fussing? I’m going to be late.’ She picked up her plastic bag which contained the canister of silly string for her ‘tricks’ and plenty of room for her ‘treats’.
     ‘Ok, ok, go, enjoy,’ her mother said as she ushered her child out of the door and into the chilly night. The street outside was already thronged with a plethora of ghosts, ghoulies, vampires and all other manner of fancy-dress costumed children. One, a mummy, trailing an unravelled piece of bandage from one leg, approached Elaine and the two children walked off excitedly into the night. Jim came from the living room and put his hands on Glenda’s shoulders.
     ‘Looks like she’s one of the very few without a costume,’ he said.
Glenda turned. ‘Perhaps next year.’ She glanced out once more for a final look but the children had already gone from view. Reluctantly she closed the door.


     ‘Have you got it?’ Elaine asked Rachel, her mummified friend.
     ‘Of course, you didn’t think I’d let you down, did you?’ Rachel mumbled through the bandages over her mouth.
     ‘Cool!’ Elaine replied excitedly and just checked they were out of sight of her house before delving into Rachel’s bag and extracting the clothing. It was a witch’s costume, complete with pointy hat, false wart-covered nose and broomstick. ‘Great, I thought you looked really scary in this last year, thanks for letting me borrow it.’
     ‘S’ok, doesn’t fit me anymore anyway,’ Rachel said as she helped Elaine get dressed. ‘What’s the matter with your mum? Why won’t she let you dress up?’
Elaine shrugged. ‘Something to do with her sister, my aunt. She died. A long time ago though and mum won’t really talk about it.’
     ‘Oh,sorry,’ Rachel said as she straightened Elaine’s cloak, ‘there, you look fab. I’m really scared, that nose looks horrible, all those ugly warts and veins.’
     ‘Har har, I haven’t put it on yet!’ Elaine said testily.
     ‘Oops’

The two friends commenced their tour of the small town. Before long their plastic bags were weighed down with loose change, sweets, an apple or two and even a piece of homemade cake. Rachel’s canister of silly string had been exhausted and consigned to a wastepaper bin but Elaine shook hers. ‘Plenty left in mine yet.’
     ‘You’re just not nasty enough to be a witch,’ Rachel commented. ‘I emptied mine ages ago.’
     ‘Yeah, I noticed,’ Elaine said as she pulled clumps of the silly string out of her hair. ‘I’m bound to need this here anyway,’ she motioned towards a dark house set back from all the others. A single light from a naked bulb shone from an upstairs room.
     ‘Old Man Robinson? They say he was a preacher, you know, before he got kicked out of the church,’ Rachel said looking warily at the shadowy house.
     ‘I heard he was a surgeon who lost his licence for cutting off a man’s leg,’ Elaine replied.
     ‘Aren’t surgeons supposed to do that, anyway?’ Rachel turned towards Elaine and tilted her head.
     ‘Yes, but they’re also supposed to cut off the bad leg, not the good one...’
     ‘Oh...’
     ‘Yes, ohh... Anyway, whether he’s a mad preacher or a stupid doctor I bet he won’t give us any treats, so he’s going to have this! The rest of the canister!’ Elaine said brandishing the silly string.
     ‘I don’t know, it’s getting late. Perhaps we should go now,’ Rachel said glancing at the house again.
     Elaine tapped her foot mimicking her mother’s actions flawlessly. ‘Late? You’re just scared, big baby.’
     ‘Not scared, it’s just late. Come on we’d better go, don’t forget you’ve got to change too.’
     ‘You go then; I’ll catch you up and meet you at the corner again where I changed into the costume. I want to finish off my silly string. Just one last house.’
     ‘And what if Old Man Robinson gives you a treat instead? Are you going somewhere else then to use it up? You could be out all night!’
Elaine frowned. ‘Didn’t think of that.’ She scrutinised the dark house. ‘Bugger it, even if he does give me a treat he’s gonna get stringed. Anyone with a creepy old house like that deserves a good stringing.’
     ‘Potty mouth. Ok, go do your dirty deed, I’m off. I don’t want my legs sawn off.’ Rachel said and shambled away glancing once over her shoulder as Elaine approached the shadow-filled porch to Robinson’s house.



Former Lay-Preacher Ezekiel Robinson put down the book he was reading and sniffed the air. The hairs on the back of his neck stood on end and he frowned. When his doorbell rang he just nodded as if confirming to himself that his premonition had been correct, then he raised his wiry frame out of the threadbare chair and went down to confirm his suspicions.
     ‘Trick or treat, sir?’ The little witch asked him when the door opened and he stood there open-mouthed, hardly believing his luck.
     ‘What?’ He managed to mumble finally.
     ‘Halloween, trick or treat,’ Elaine faltered, Robinson seemed mesmerised by her, ‘sir...’
His face brightened. ‘Of course, Halloween. Come in, child, come in.’ He stepped to one side and motioned for Elaine to enter the dimly-lit hallway.
Elaine swallowed nervously. She hadn’t expected an invitation to go into the old man’s house. She looked around quickly, but Rachel had gone. She hesitated.
     ‘The treats are in my study, please, do come in,’ Robinson repeated and before Elaine knew it the man had gripped her shoulder. He urged her inside.



Glenda paced back and forth in the passage way. ‘She should be back by now.’
     ‘You know what kids are like; she’s probably playing with Rachel. It was Rachel in the mummy costume wasn’t it?’ Jim asked.
     ‘Of course,’ Glenda replied and then sighed as the doorbell rang. ‘She’s back!’ She pulled the door open and looked past the little mummy-figure expecting to see the blue-coated shape of her child. Elaine wasn’t there. ‘Where is she? Rachel, where’s Elaine?’
The mummy shuffled uncomfortably and dropped the plastic bag. Out spilled an apple, some sweets, a piece of cake, loose change and the sleeve of Elaine’s blue coat.
     ‘Talk, now!’ Glenda commanded and Rachel spilled the beans. She told Glenda everything, unable to do otherwise.
     ‘Preacher Robinson, shit. Of all the damned places to go into alone. Jim, take Rachel home.’ Glenda picked up Elaine’s coat and narrowed her eyes. ‘I haven’t finished with you yet, Miss,’ she said softly to Rachel and the child’s blood seemed to freeze in her veins. ‘She’s wearing your costume, too?’
     ‘Yes, it was too small for me, a witch’s costume,’ Rachel stuttered.
     ‘A witch’s costume...’ Glenda echoed and Rachel nodded glumly.
     ‘Ok, Rachel. Let’s get you home,’ Jim said and patted the child’s head. ‘You want the car?’ He asked Glenda.
She raised an eyebrow at him. ‘No... I’ll be fine.’
     ‘Just be careful,’ he said.
     ‘Obviously,’ Glenda replied as she pushed him out of the door and went back to the kitchen and opened the tall cupboard.


Gloominess shrouded the porch to Preacher Robinson’s house. A gloominess that seemed to emanate from the small child that sat sobbing quietly on the door step. She fingered something wet and slimy at her side and jumped when a rustling from nearby bushes startled her. ‘Who’s there?’
     ‘Your mother,’ replied Glenda as she stepped out of the foliage, brushed herself down and looked around suspiciously. ‘Are you all right?’
Elaine nodded. ‘Yes. I didn’t expect him to invite me in. I didn’t expect him to do what he did. I’m sorry, mum, I really am. I should have listened to you. The costume too...’
     ‘So, what happened?’ Glenda asked as she approached the step.
     ‘I asked him for a trick or treat and I sort of got dragged into his house. The door closed and...’
     ‘...and?’ Her mother prompted.
Elaine shivered and motioned to something on the step next to her. ‘And...’
     ‘That’s the trick? Or is it the treat?’ her mother asked as she picked up the slimy toad and examined it.
     ‘That’s... Old Man Robinson,’ Elaine replied.
     ‘Ah...’ nodded her mother, ‘he perceived you then. He saw you for what you really are. I feared as much when Rachel said where you were... and just look at you. Why don’t you just wear a great big placard too?’
     ‘I didn’t think...’
     ‘Undoubtedly, that’s why I’ve been so protective of you. Not everyone is capable of perceiving us, but some are. He’s one.’ She nodded at the toad which squirmed in her grasp. ‘But, on the plus side, you did very well. Transfiguration isn’t all that easy, yet you’ve done a fine job. Unfortunately we can’t allow him to revert back. It just wouldn’t be a good idea at all,’ Glenda said as she closed her hand and the toad exploded with a wet plop.
     ‘Sorry, mum,’ Elaine said reaching up for her mother.
     ‘That’s ok,’ Glenda replied as she picked her child up and carried her to the bushes, ‘perhaps it’s time I told you about Aunt Prudence and what happened to her in 1780. We thought the witch hunts were over, we were wrong then and many of us have been wrong now. They still remember. Some still perceive us. We have to be more than careful now. There aren’t that many of us left.’
     ‘Is daddy mad?’ Elaine asked.
     ‘Of course, dear!’ Glenda laughed. ‘What sane man would marry a witch? But, that’s beside the point. Now, jump onto my broom and let’s get home. By the way I like what you’ve done with your nose...’

Saturday, October 27, 2012

Free Story set in Flames World

For those who are waiting for the sequel to Flames of Herakleitos, here's a short story set in that world which can be read as standalone. Hope you enjoy it. It's over at Wattpad and if you want to leave comments there then please do.  :)

Saturday, October 20, 2012

BristolCon 2012


Attended my first BristolCon today (Sat 20/10/2012) and a pretty fine con it was too, with I'd guess between 250 to 300 attendees. After wandering through the arts room and dealers room I went to the first event on the program in room1 where (from left to right) Dev Agarwal, Aliette de Bodard., Michael Dollin, Ben Jeapes and Guy Haley discussed the possibilities of colonizing other planets and if we could, would we want to go? Dev and Aliette didn't seem all that keen but I think Michael, Ben and Guy might be persuaded!


Next up was Juliet E. McKenna interviewing Guest of Honour John Meaney and the conversation covered such subjects as when did John first start writing, to the novels he has written and also touched on martial arts. When question time came around I was really tempted to ask Juliet (akido) to demonstrate some moves on John (karate) and then stand well back... but I chickened out :)



After a quick cup of tea the next event was Netiquette for Writers - How not to make a twit of yourself online. Giving advice were, from left to right again, Robert Harkess, Dolly Garland, Mark Aplin, Marc Gascoigne and Guy Hayley. Subjects included, never respond to bad reviews! Don't get dragged into posts that get out of hand, the recent spate of sock-puppetry and much more.




And then it was time for a spot of lunch and a couple of pints with my mate Steve Upham who insisted on doing his impression of  'Chad'


After lunch I went to see the next Guest of Honour Gareth L Powell being interviewed by Kim Lakin-Smith.
Gareth spoke about the writers that influenced him when he was a youngster and surprised me by saying Capt. W.E. Johns' Biggles was one. He then explained how his new book's hero, Ack Ack Macaque forced his way into being and bullied him into taking his Interzone short story on to novel length. Finally he read an excerpt of the novel and finished at a cliff-hanging spot so all listening were motivated to go buy the book!





The third Guest of Honour was the artistic and beautiful Anne Sudworth who designed the cover for the 2012 program and with other artists discussed art techniques in a digital age.



Finally, before I had to leave, who should I spot propping up the bar? None other than Joe Abercrombie (one of my favourite authors) who'd been signing copies of his new book, Red Country, just up the road in Waterstones. He generously exchanged a few words with me and then signed a copy of the book. Then to top it all I forced a copy of my book on him (Flames of Herakleitos) and even signed it for him. He graciously accepted it and although couldn't promise to read it (he has a massive stack to get through) said it might come in handy to prop up a leg on his wobbly desk...




Dedication says: To Bob, Best of luck with the lonely profession. (that's what I put on his one too...)




And finally, here's my haul from the con. A nice freebie bag from  Forbidden Planet, Steve Upham's Antho edited by Johnny Mains, The Screaming Book Of Horror and Probably, Maybe, Perhaps by Terry Martin of Murky Depths. A great con and well worth going to, see you in 2013 guys!



Thursday, September 06, 2012

Free book!

With all the brouhaha (I like that word) lately over sock-puppetry (that word is growing on me) and the fact that I don't get many reviews *sobs* and that I'm short on socks at the moment, so can't make a puppet, I've decided to make one of my e-books free. However, I'd really be obliged if you do download it and read it you leave a little review (it doesn't even have to be a good one, but if you do dislike anything please say why, it's the only way I can see if and where I'm going wrong)
At the moment I can only get the Smashwords version set to free but hopefully I can also get the Amazon one free too shortly.
The e-book is called 'They Feed On Flesh' and is a series of inter-linked zombie stories that spread from present day and into the far future. The zombie apocalypse is just around the corner so be prepared, and if you go looking around that corner and get your face bitten off then don't say I didn't warn you... :P



Free Edition of 'They Feed On Flesh'

Wednesday, July 18, 2012

The Empathy Effect gets to shortlist for Rubery Award 2012

Had some good news this morning that my urban fantasy novel 'The Empathy Effect' had got as far as the shortlist on The Rubery International Book Award 2012, wow that is so exciting!

The judges said:
The book is well written, the setting one the author knows well, and it shows. The style is slightly experimental as part of it is told in first person while the third person is used for the scenes where the main character does not appear,. The limited colour palate of the cover works well, although some of the judges felt that the title and author did not stand out enough, and preferred the image on the back to the front. There were a few concerns that the plot contained too many coincidences, but it was nonetheless an exciting, well-constructed novel.

Sunday, July 15, 2012

Long overdue update!

I've been lackadaisical (love that word, describes me so well) in updating my blog but it's been hard to drag myself in from the British summer sunshine and scribble away inside (yeah, yeah) but I finally did it. What's been happening? Hmm... nothing much. The collaboration on a short script I did with Rhys Hughes for Pint-Sized Plays was unsuccessful so we are now looking for another outlet for it. It's a ten-minute sketch for two people who are both self-centred altruists who can't help but show-off their philanthropic nature to each other.
I have been productive however and have sent off a script to the BBC Writer's Room in the hope it might be considered for the Wales Drama Award 2012 Link
It's about a washed-up American detective and his young assistant who investigate a serial killer who de-bones his victims and attempts to keep them alive so they can appreciate the beauty of their bones on display (yep it's gory) I don't have any chance winning but it would be nice to perhaps get on the long list!
The story is called The Charnel House.
Other news:
I've had a short story of mine published in May December Publication's Steampunk Anthology called A Clockwork Orchard: Rivets and Rain 

 

My story is called: Il Risorgimento and is about Garibaldi's battle for the unification of Italy and his attack on Rome. This story means a lot to me as I wrote it with my daughter, Juliana, in mind who passed away March 2011. The heroine in the story is Juliana di Foggia and to have the story in print and on-line is great. There's the first review in for the book on Amazon and the reviewer said of Il Risorgimento:  Il Risorgimento wins hands-down for a truly revolutionary setting. Also, a setting either very well known by the author, or extremely well researched.
Thank you reviewer :)

Wednesday, June 06, 2012

Gelert

Took some Italian friends to see Kidwelly Castle this week and in one of the rooms we found a bronze statue of a wolf-hound which I presume to be Gelert.

 

 http://www.beddgelerttourism.com/gelert/


Some time ago I wrote a poem dedicated to Prince Llewelyn and Gelert, seeing the bronze brought it back to mind, here it is:


Gelert’s return (A Welsh Prince's death-bed plea for forgiveness.)



Curse my anger for it was quick; my sword was even quicker,
when blood I spied upon your flank, and o'er the baby's wicker.
Oh stabbing blade that found your heart containing but affection,
be sheathed now in tearful sorrow, cast-off in sad reflection.

Now my turn has come oh faithful friend to join you in the chase,
for time has won the battle-royal and Death has shown his face.
So I lie here as a child once more, too weak to raise a hand,
and dwell upon our hunting days when we both ruled the land.

No finer friend to Prince or man could I ask for or be given.
And as I close my eyes, for the final sleep, I beg to be forgiven.
My son you saved, I knew it thereon, your courage I did not discern.
'Twas not his blood, but the wolf you killed, too late I was to learn.

Many years have passed; I bear them all, a weight upon my shoulders.
The heavier burden is within my heart, the shame forever smoulders.
If only I had stayed my hand which drew your life that day
I'd welcome death contentedly, and follow him on his way.

Oh Gelert! You come once more to my side, you lick my fevered brow.
Though night has fallen I feel you close, my soul is lightened now.
At peace, I may now seek to slumber, with your head upon my chest,
and we’ll hunt together once again, when I awaken from my rest.

Wednesday, May 16, 2012

Mini Opera Script Competition

I thought I'd give this competition a try. It's hosted on the Mini Opera Website and closes 21st May 2012
Three writers will provide Mini Operas’ seed stories: Will Self, A.L. Kennedy and Neil Gaiman. and I've picked Neil's one to try. Here is my offering, it's called:

Do my dreams bring you calm or fright?

Opening Scene:

It is night-time. The stage is empty apart from a bed. A gossamer-like curtain separates the stage from the audience. It is transparent enough to see that the bed contains two sleeping people, a man and a woman.

Enter stage right (behind curtain) a man sweeping with a broom.

Dream-sweeper (sings quietly)

Do my dreams bring you calm or fright?
Soothe your worries through the night?
Or trail nightmares to your bed?
Leave black images in your head?
Shall I sweep them all away?
Chase the darkness with the day?
Will the next night find you awake?
Fighting dreams that I must make?
Only I can know the night
Will I bring you calm or fright?

Woman in bed stirs then shakes her head from side to side. The dream-sweeper exits stage left and the curtain rises and the woman awakes. She shakes the man in bed next to her.

Woman (agitated)

Tom, Tom! (Man pulls sheet up and grumbles) Tom wake up, I’ve had that dream again.


 Tom (sleepily)

What? (Yawns and picks up clock from bedside table) bloody hell Debbie, it’s nearly three in the morning. What’s the matter?

Debbie

I told you. I had that horrible dream again. A man was in the room, he was singing and I knew something bad was going to happen. It woke me up.

Tom

Well I can’t see anyone now (makes a show of looking around the darkened room)

Debbie hits him on the arm

Debbie

Don’t be such an idiot. It scares me Tom!

Tom moves over to her and puts an arm around her.

Tom

Sorry, you know I get grumpy when I don’t sleep properly.

Debbie

YOU don’t sleep properly! You were snoring like a pig. I’m the one who doesn’t sleep.
(She pushes his arm away) You can drop off in the middle of a warzone. I haven’t had a decent night’s sleep since... since... I can’t even remember...

Tom

Perhaps you have too much pent-up energy (he smoothes her arm) perhaps if we...

Debbie

I just don’t believe you, I’m having kittens here and you think sex will make everything better.

Tom

Works for me...

Debbie

Oh yeah, wham bang, thank you Mam and you’ll be snoring again.

Tom

That’s not nice...

Debbie puts her head into her hands.

Debbie

I’m sorry Tom. It’s just... (She shakes her head) every night it’s the same dream. A man singing something softly, I can’t make it out exactly but it’s like:

Do my dreams bring you calm or fright?
Soothe your worries through the night?
Or trail nightmares to your bed?

Then I usually wake up with a terrible feeling of dread, that something is going to happen or something has happened. It’s horrible. He does trail a nightmare to my bed.

Tom

To our bed...

Debbie

Yes, all right, to our bed. (She puts a hand to his face) Have you heard him?

Tom   (Puts a hand over hers and shakes his head)

No, babe, I haven’t. I don’t expect I ever will either. It’s just a dream, babe. Your dream.

She pulls away from him and gets out of bed.

Debbie

I’m not even sure it is a dream Tom. Someone could be in the house and I hear him. He’s taunting me. You don’t hear a bloody thing because you’re dead to the world.

Tom shakes his head as she leaves the bedroom. He pulls the sheets back up and yawns again. Debbie returns with a box of Cornflakes and a carving knife.

Tom

What the hell, Debs?

Debbie walks backwards to the bed, sprinkling Cornflakes on the floor as she does. She gets into bed placing the box on the floor and the knife on the bedside table.

Debbie

Right Tom, I’ve had enough of this crap. If it’s a dream then tomorrow morning we’ll wake up and find everything undisturbed. But... (she nods) if someone is getting into the house and is stalking me or trying to mess with my head then they’ll crunch the Cornflakes and wake me up, or if I don’t wake up we’ll find them all crunched in the morning.

Tom

Sounds like a plan. And the knife?

Debbie

Self defence. I told you I feel threatened by all this.

Tom

Well, as long as it lets you get some sleep. (Yawns) So, are we sleeping or...

Debbie

Sleeping, or I’ll be a wreck in the morning. ‘Night Tom (she kisses him)

Tom

Night babe (He kisses her back, turns over and almost immediately starts to snore. She sits up in bed for a moment, stares at him and shakes her head then lies back down, looks around the room, looks at the knife and pulls it into bed next to her)

The curtain falls slowly and before long both Tom and Debbie are asleep and snoring a duet. Before long the dream-sweeper enters stage right again and starts to sweep and sing quietly. He sweeps a path through the Cornflakes and stands by the bed looking down at the sleeping couple. He walks around to Tom’s side of the bed, leans his broom against the foot of the bed and lies down in Tom’s place, almost as if he is merging into Tom’s sleeping figure.
He starts to sing.

Dream-Sweeper

Do my dreams bring you calm or fright?
Soothe your worries through the night?
Or trail nightmares to your bed?
Leave black images in your head?
Shall I sweep them all away?
Chase the darkness with the day?
Will the next night find you awake?
Fighting dreams that I must make?
Only I can know the night
Will I bring you calm or fright?

Debbie twists and turns in her sleep as the song repeats and repeats. She brings a hand out from beneath the sheets and up towards her head and places her curled fist against her forehead. The knife is in it, she brings it down hard onto the sleeping form at her side and the singing stops. Debbie sighs, turns onto her side, away from the prone figure of Tom with the handle of the knife protruding from his chest and soon she is snoring.

The stage begins to lighten as dawn breaks and the gossamer curtain rises. Debbie wakes and yawns then stretches luxuriously.

Debbie

Well that was a better night’s sleep. (She gets out of bed. The Cornflakes make her jump for a second and she laughes. She puts on her slippers and begins to leave the stage. On her way off stage she begins to sing.

Do my dreams bring you calm or fright?
Soothe your worries through the night?
Or trail nightmares to your bed?
Leave black images in your head?
Shall I sweep them all away?
Chase the darkness with the day?
Will the next night find you awake?
Fighting dreams that I must make?
Only I can know the night
Will I bring you calm or fright?


End